February 2008
Front End Audio are the exclusive Australian distributers of a range of serious professional Pro Audio equipment
 
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New Royer LIVE series mics in Australia

Royers are built to be tough and can handle the challenges of life on the road, but they are studio mics that require some TLC to keep from damaging the ribbon elements. With Royer's Live Series ribbon microphones you get twice the durability in the ribbon element, allowing you to put ribbons anywhere on stage you'd like with complete confidence. Tame high-end harshness and bring Royer's legendary smoothness, warmth and power to your live performances.

How

After extensive testing, Royer found new ribbon thicknesses for the R-121, R-122 and SF-24 microphones that provides significantly increase durability with minimal reduction in gain and transients response. The sonic difference is negligible, and the increased durability lets anyone use Royer ribbons in a live environment.

Royer Live Series microphones are identified with a red Royer logo (studio models have green or black logos). Live Series mics can be converted to Studio mics with a simple re-ribbon and logo replacement. There is no cost difference between standard Studio models and Live Series mics.

Buy a sixQ and get a JM37 FREE!
   

Buy a oneQ and get a JM37-DP FREE!
   


Buy a twinQ and get a JM27S and JM37-DP FREE!

Front End Audio and Joemeek are giving away free mics with every purchase of a sixQ, oneQ or twinQ. Offer is available until stocks last. Don't miss out!

Extreme Isolation EX25 headphones have arrived!

The new "light" version of the original Extreme Isolation Headphones has hit our shores, and is now available at just $99 a pair!

Similar to it's big brother, but lighter, and with 25dB of outside attenuation, the EX25 is ideal for studios, live recording and any other monitoring situations where you need the outside out and the inside in.

Just release at NAMM is the new Universal Audio LA-610 SE.

The LA-610 Signature Edition is a customized, limited edition of UA's best-selling professional audio channel strip, with only 500 units available worldwide. Includes both a complete array of hand-picked American-made vintage NOS (new old stock) tubes and American-made custom wound input and output transformers by CineMag®. The LA-610 Signature Edition has also been given a unique interior and exterior cosmetic upgrade, and its distinctive “black-face” look sets it clearly apart from the standard LA-610 and is sure to identify it as a studio collector's item.

Universal Audio has recently scooped the 2008 Electronic Musician Editor's Choice award for its amazing DCS Remote Preamp. The DCS bridges the gap between workstations and consoles by providing 2 channels of classic UA mic preamps, headphone and control room monitoring, cue FX and a pair of large VUs housed in a beautiful desktop box!

Now available!

Version 4.9.0 of the Universal Audio UAD-1 software is now available, sporting the brand new SPL Transient Designer and Precision Buss Compressor plugins! UA has partnered with Germany's SPL to bring you the Transient Designer, with its unique and compelling Differential Envelope Technology for shaping the dynamic response of a sound. The Transient Designer is considered a “modern classic” and a recording-studio essential that is regularly employed as a "secret weapon" mix tool by some of the world's finest engineers - including Ed Cherney, Joe Chicarelli, Ross Hogarth and Michael Brauer.

The Precision Buss Compressor is a dual-VCA-type dynamic processor that yields modern, transparent gain reduction characteristics. It is specifically designed to “glue” mix elements together for that cohesive and polished sound typical of master section console compressors. A flexible and intuitive tool, the Precision Buss Compressor is intended primarily for controlling the final output of your mix, but can be usefully applied to a variety of sources from drum busses or overheads to vocal groups, or even as a channel compressor on individual track inserts.

Universal Audio UAD-1 Nevana X2

The UAD-Nevana X2 combines the classic sound of Neve consoles with the best solution for in-the-box mixing. Nevana brings the coveted Neve® sound directly to your DAW and makes your mixes "sound like a record" with all the sonic quality and "polish" that Neve consoles are renowned for. The UAD Nevana includes seven Neve plug-ins; the 1073/SE , 1081/SE , 33609/SE and 88RS Channel Strip in AU, VST & RTAS plug-in formats which you can mix n match to make your own Neve® custom console. A bonus UAD$200 voucher is also included which can be redeemed 24/7 against any additional UAD plug-ins from the UAD collection at my.uaudio.com such as the classic Helios Type 69 EQ . The UAD Nevana is the ONLY officially Neve® licensed plug-in solution for desktop systems, which is your guarantee of authenticity, and exacting emulation quality. UAD-Nevana X2 incorporates UAi Technology for Authentic Analog Sound.

AEA Ribbon Mic Survival Kit

Just released is the new AEA Ribbon Mic Survival Kit, containing:

- One R92 "Mixmasters Edition" ribbon mic
- One TRP dual channel ribbon mic preamp
- FREE stereo microphone template, with 2 R92 adaptors
- FREE Posi-lock angle positioner
- FREE custom AEA case with room for 2 mics!

All for $2699 AU

The original Teletronix LA-3A Audio Leveler made its debut at the 1969 New York AES show. Marking a departure from the tube design of the LA-2A Leveling Amplifier, the solid-state LA-3A offered a new sound in optical gain reduction, with faster attack and release characteristics that were noticeably different from its predecessor. Immediately embraced as a studio workhorse, the LA-3A is still widely used today.
UA 2-LA-2 now available!

The 2-LA-2 is not an exact component clone of the classic LA-2A, but a feature-enhanced stereo evolution of its ancestor that elegantly combines two channels of silky, tube-amplified, stereo matched optical gain reduction in one unit. Designed by original UREI® engineer Dennis Fink, the 2-LA-2 retains the original all-discrete Class A circuitry and core “sonic signature” components that made the LA-2A the studio standard compressor in recording studios around the world.

Toft ATB - a League Of Its Own.

Over the years, the Trident Series 80 console has heard its praises time and time again for its excellent quality, pristine accuracy, and most of all, its premium vintage equalizer. This powerful combination produced an enormous amount of hit records and is still revered as one of the best analog recording consoles made to date. With so much history behind the Trident name, Toft Audio Designs is proud to announce that the Series 80 boards have been redesigned by the original designer himself, Malcolm Toft. The end result is none other than the new Toft ATB Series Consoles.

Chandler release the new Zener Limiter and Curve Bender.

The EMI TG12413 Zener Limiter is the ultimate TG Limiter issued in celebration of the 75th birthday of Abbey Road Studios. The Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. This newest EMI Limiter continues the tradition of EMI Limiters started in 1956 with the RS114 tube limiter, and continued with the RS168 Zener Limiter in 1966, part of the TG12345 console channel in 1968 and TG12413 in 1974. The newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new fully featured and flexible unit for modern use. It is interesting to note that the TG Limiter was originally designed to replace both the Fairchild 660 (Limit Mode) and the Altec 436/RS124 (Comp 1 Mode)

 
The EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and Abbey Road senior engineer Peter Cobbin and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI eqs started in 1951 with the RS56, affectionately entitled the Curve bender by EMI designers and continued with the TG12345 in 1968, and TG12412 in 1974. The newest version takes the simple but beautiful sounding TG12345 equalizer and realizes it in a fully featured and rethought package for today's use.